APPRECIATION

Engorged culture Epoch
(Pinisi La Tojang's Staging note)
By: Syamsul Rijal*

Hysterical clamor a mother at one hall. At its peripheral accompanied by soothsayer gets saline, soothsayer assistant, and mother husband that wants to bear that. Clamor that break down audience stillness at simple hall namely Mattulada's Auditorium Unhas's Art Faculty. That clamor make mother mother audience remember term is hard while bear, teach severally female audience that constitute mother candidate and father candidate about just how is hard bear.
After a while male baby was outward of its mother womb. Thank God. One kebahagian who felt by that family that bears. A mother has passed one elongated struggle. More or less nine months the duration.
Fathers very happy. It takes its child, carried on the back then cradled by happiness full. Its taste no something which more beautiful but waiting which ends by appointment. Elongated waiting a father to a that never been seen previous. Its gender unknown, its face unknown,and healthy unknown or not it. And menegangkan the most is living or not it baby who will fose to universalize.
Extinct lamp, scene shifts. After a while, Fathers, mother, and its son that named La Tojang performs triad. One little family. Entah what does be taken fathers of its child then packaged as copulation and is slipped at its skullcap, it kisses its child then entah's going goes to which its stage. The child that understood what what just let its father goes to pitch upon. Just mother its that contemplates.
Extinct lamp, succeeding scene is mothers swinging La Tojang. With lovesome, Mothers swing its child and waiting until asleep child. Song Cakkaruddu Atingrono are not miss of mother mouth that warbles melodious. This song remind audience about how our oldster before with lovesome look after its child while sings song Cakkaruddu Atingrono . Besides, this song is full meaning if dicermati and is assessed deeper again its lyric.
But present, this song was angled by modern song that its meaning doesn't teach. Song Nina is Sleep ’ e.g., one that just fears nakuti childs even just to a mosquito which little. Even present, such a thing, a mother which swing its baby while warbling was its rare meets. Mostly present, mothers deposit its child to others to be mothered its over a particular period. Seemly only, now a lot of child that melle ’ perru to its oldster because really attention and untasted oldster affection by childs. One culture which crowded will education was shifting.
Suddenly one sprout of letter is accepted mothers about its husband death. Sadness can't be avoided. Its husband corpse then at squire goes to grave. Some bodies male carries it and some female which mengantarnya. Imagination at its squire corpse goes to grave be keliling carries that corpse bandstand. But one fewing to sprag audience attention is mark sense baby and its medial oscillation bandstand. One will babies and that oscillation is part of corpse burial process. Entah what means stage manager with that thing(?).
Explicitly, sentence laa ilaha illa allahu continually escorts corpse. One will make audiences getting confident if in that casket is quite a deceased person.
But that is theatre, imagination shall play. Momentary can make strained audience, momentary can make razzing audience, and momentary again can make audience gets downcast. Control strong emotion by an actor is charge outgrow from stage manager. Evenless with marks sense player that memerankan double figure. A while becomes father, momentary again becomes children. After serious, razzing again. But at there excitement it an actor, they shall be conscious of room and time.
One thing that needs to be noticed deep theatrical is stop the show one comprise of baberapa type and viewpoint that variably. Even there is between they that don't want to understand about how process one copy be lifted onto staging bandstand. They even sometimes don't catch to order that passed on by stage manager.
There is 2 type stop the show theatres that often lets fly a lot of question. First, audience that really understands about theatre. They usually get see all gap and lack for as little as whatever in one staging. But it usually is peopled have so long get to struggle at theatrical the world. And having a lot of theory and reference about theatre. They sometimes too far think that never been thought up by actor and stage manager.
Both of, absolutely audience a loss to understand about theatre. This usually is person that first time witnesses theatre staging. So sometimes ask things that actually not necessarily been asked. They also sometimes don't catch symbols or imagination that featured by stage manager. All this type is fairly its existence in one staging.
Scene succeedinging to feature severally children is playing. La Tojang is little not diikutkan by its friend. La Tojang drives out it.
“Why are they hate me? This that gara gara must father that goes to pitch upon leaves we ”, so word La Tojang one will down on narrow bones and blames its father. While its mother just can get downcast.
So one goes on it, until a while La Tojang rebuked by its mother so doesn't get hand lap goes on and spree with comate its coeval. La Tojang was enjoined to go to sawah or goes to market so can get study from there..
“We are not as before again Nak! Sawah is your father remainder stays one slot again. La Tojang, rezki that shall look for Nak!”, so its mother word.
But La Tojang incorrectly catches will its mother utterance. She paraphrases if rezki it is searchable by goes abroad. Even its mother takes issue, La Tojang makes a abode to depart. Its intention was rounded.
“Really display most flower, canoe prohibition blows over to go to beach ”, sentence this is that progressively burn La Tojang's spirit to go goes abroad.
Guitar string passage and violin and flute blow escorts to step La Tojang's departure gets to calm atmosphere. Affected audience. Remind will Bugis Makassar's men while go abroad. Evenless with Song poem Goes Out To Sea that sounded pass on to give my regards / wahai kecipak goes out to sea / on warm bugisku earth progressively starts up atmosphere. kreasi's dance Considerate Lopi not misses to swing audiences while escorts La Tojang's departures.
Scene shifts. Hereafter umpteen female menumbuk paddy. Mappadendang's song goes on to escort it that makes to stop the show leach in melody and voice smoothness vokalis Singleds-space Music.
Successful La Tojang at country person. She then listens news if its mother at kampong is taking ill. This time La Tojang don't melle ’ perru. She shall return to its native land.
Now La Tojang gets in. Silvan girl circuits dancing Paddupa picks up La Tojang's arrivals. kebahagian gets to mix coming downcast gets to assimilate along with arrival La Tojang. Its taste, no something which more beautiful but waiting which ends by appointment.
La Tojang draws near its mother in a state pain. It hugs its mother while asleep in its cuddle. Song Cakkaruddu Atingrono back to mengalung soft of vokalis's voice Singleds-space Music: Eti Yusrianti.
“La Tojang! You was homewards Nak! Get married with your cousin!”, so its mother word before exhale breath most eventual and berkahir's story. That dialogue denotes setting this story still viscous will long time cultures. Now this pairing culture is well-nigh destroyed engorged modern era.
In this Pinisi La Tojang's staging, there are many mengungkap point culturizes that beginning destroyed, was destroyed and available too collaboration among cultural before and now. Its story ingredient is interesting and not monotong makes to stop the show not saturated sees it.
But one makes this staging stories strong reducing it be bandstand property that really minim figures setting story. Eventually this story have passed severally term, beginning from La Tojang is borne, stripling, departed goes to earth go abroad until come back to its native land. In theatre, all it need there are many costume and manner makes-up that has to differentiate each incident time.
Both of, there are several scene that utilizes both of bandstand flank namely left and right concurrently. Scene as it fewing to trouble audience concentration. View stops the show will be broken down so sometimes available dialogue or send away for that no time is a prey to audience. Eventually that is inklud one deep unity one story.


La Tojang : Bugis's language: La is its mean Bugis's male greeting, Tojang means oscillation.
Cakkaruddu atingrono : Bugis's language with the meaning dozes to get asleep.
melle ’ perru : meaning Bugis language not tofu responds love, have no sensed humanitarianism.